Sarah Nedwek (MFA ’10) Following the Showcase she has signed with Phoenix Artists. Leigh Williams (MFA ’10) Since arriving in New York City last summer, Leigh has made a Dunkin Donuts Voice Over commercial and a National On-Camera Commercial for Pillsbury.
Yan Tual (MFA ’12) Back in Europe studying in a two week intensive Corporeal Mime workshops in Paris with Thomas Leabhart and in Barcelona at Moveo School, and lastly in London in a three week intensive Diction workshop at LAMDA. She did a print job for Philips Medical Corporation. Bob and ultimately performed the role(s). Kelli Ruttle (MFA ’12) Served as an Understudy for the Cleveland Play House Production of Bill W. Kim Krane (MFA ’12) Attended a workshop at Dell’Arte School, At the Crossroads: Where Dance Meets Theatre with Donlin Foreman (a principal dancer with the Martha Graham company for 20 years).
Michael Herbert (MFA ’12) A Counselor at summer Youth Camp in Texas. He also taught Stage Combat for the OSTF Shakespeare Day Camp.ĭan Hendrock (MFA ’12) Spent the summer in NYC taking private Vocal lessons with Susan Eichhorn and a four week workshop, Simply Chekhov, with Ragnar Freidank on the Michael Chekhov Technique. Jenkins/Man with Red Eyes in A Wrinkle in Time. She also took a Chekhov Technique workshop in Chicago with the Moving Dock Company.Īndrew Gorell (MFA ’12) Worked with the Oberlin Summer Theater Festival performing Don John in Much Ado About Nothing, Howie Newsome in Our Town, and Mr.
The last night was a presentation of scenes to an audience on the Blackfriars Stage.
#Moving dock theatre professional
Training in the Michael Chekhov Acting Technique begins with classes that are designed for the actor new to the Chekhov Technique and continues with classes for those actors seeking to gain mastery as they take it into their acting life.Eva Gil (MFA ’12) Eva received a FOET Grant to attend the Professional training program at the American Shakespeare Center where she took classes for three weeks in voice, rhetoric, text analysis, stage combat, Elizabethan dance, scene study, ensemble work, and original rehearsal practices all focusing on the Shakespeare canon. “As soon as we begin to develop our bodies, voices, and emotions, we begin to get our professional actor’s technique, and as soon as we have our technique, we can start the creative process - and what will it be?” - Michael Chekhov. In this exploration of the art of the actor, we find ever new goals for our acting as we discover more of our expressive selves. Through Chekhov’s effective tools for characterization, we are able to inhabit the imaginary characters we play with truth and spontaneous freedom. Through Chekhov’s psychophysical exercises we develop our acting instrument. The Michael Chekhov Acting Technique allows us to move and be moved by the imagination. “The beauty of his approach is that he offers a direct route to the actor’s creativity by the simplest means.” - Simon Callow in his forward to Chekhov’s book, To The Actor.Ĭhekhov Studio Chicago offers classes and workshops in the Michael Chekhov Acting Technique to film/theatre actors, singers, theatre directors, and theatre teachers.
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